The Trace We Leave
Twenty Years of Waste & What It Reveals
Moving from personal narrative to wider analysis, Mamun examines Bangladesh’s informal recycling economy, the low value of flexible packaging, global plastic-waste rankings, policy failures, Extended Producer Responsibility, corporate influence, media representation and the danger of environmental campaigns that create visibility without producing structural change.
Endure
Chasing Impossible
defined somewhere in the theme’s own stylesheet (not yours) — worth finding and deleting later, since a theme built for a bakery hardcoding font sizes for a “main navigation” class onto what’s actually a book subtitle is a sign of how tangled this leftover CSS is. For now, overriding it is the fast fix; cleaning out the source rule is the durable one once you’re deep into the theme swap.
Dogs In Paradise
Faith in Religion
The name of my country is Bangladesh. The right two columns’ author name is plain text, not a link — so it doesn’t get the orange/tan link color the left two show under “By Muntasir Mamun” / “By Mohammad Arafat.”
Honey Hunters of the Sundarbans
Life in the Jungle
The name of my country is Bangladesh. The right two columns’ author name is plain text, not a link — so it doesn’t get the orange/tan link color the left two show under.”
Print-on-Demand
POD stands for Print-on-Demand — a publishing and printing method where books are printed only when an order is placed, instead of producing large quantities in advance.
for writer
POD stands for Print-on-Demand — a publishing and printing method where books are printed only when an order is placed, instead of producing large quantities in advance.
The Trace We Leave
Twenty Years of Waste & What It Reveals
Moving from personal narrative to wider analysis, Mamun examines Bangladesh’s informal recycling economy, the low value of flexible packaging, global plastic-waste rankings, policy failures, Extended Producer Responsibility, corporate influence, media representation and the danger of environmental campaigns that create visibility without producing structural change.
Endure
Chasing Impossible
defined somewhere in the theme’s own stylesheet (not yours) — worth finding and deleting later, since a theme built for a bakery hardcoding font sizes for a “main navigation” class onto what’s actually a book subtitle is a sign of how tangled this leftover CSS is. For now, overriding it is the fast fix; cleaning out the source rule is the durable one once you’re deep into the theme swap.
Does Print-on-Demand mean the book is self-published?
No. Print-on-Demand is a method of producing books. It does not, by itself, determine whether a book is traditionally published, independently published, or self-published.
Books published by Ilish Books go through an editorial and production process. Depending on the project, this may include manuscript development, editing, proofreading, design, image preparation, typesetting, cover design, printing, and promotional planning.
Submit Your Work
We welcome unpublished manuscripts in nonfiction, essays, field narratives, translations, and literary works that align with our editorial vision. We are particularly interested in works rooted in observation, place, memory, movement, culture, and lived experience — books that may not always fit conventional publishing models, yet deserve to exist in print with care and permanence.
